By appearances, the bottom line is that there’s some obvious genetic tinkering going on in this Korean extravaganza – one that’s intent on creating a race of superhumans who can neither die nor be defeated – but that’s about all that came clean in its one-hundred-and-forty-minute running time.Īlas, the script alone could’ve used a bit of pruning, though I’m not entirely certain where cuts might begin. For as efficiently as The Witch: Part 2 – The Other One irons out some of these particulars for audiences, it’s still – say – the middle chapter in what’s likely being reported as a trilogy and I’ll have to admit being more than a bit confused about what exactly is going on in this somewhat bizarre cinematic universe. However, as the assassins tasked with locating and silencing the girl move ever closer, the lives of everyone around her fall under increasingly great peril.”Īs you can guess, the problem with joining any ongoing saga ‘in progress’ is that newcomers to it are likely to be missing a great deal of context. “After a mysterious girl emerges as the sole survivor of a bloody raid on the research facility behind the top-secret Witch Program, she is rescued by a pair of civilians who soon realize the girl is both very powerful and in very grave danger. If, however, you’re accepting of a few modest hints at ‘things to come,’ then read on …) If you’re the type of reader who prefers a review entirely spoiler-free, then I’d encourage you to skip down to the last few paragraphs for the final assessment. (NOTE: The following review will contain minor spoilers necessary solely for the discussion of plot and/or characters. Though it likely could’ve been successful with a ‘less-is-more’ aesthetic, why keep it simple when studios are willing to pony up more special effects sequences than were truly needed? What Korean auteur Park Hoon-Jung’s latest effort does – The Witch: Part 2 – The Other One – with its considerable effects work is it gives the Frankenstein story yet one more contemporary makeover, one that’s meant to inspire audiences with the incredible shock-and-awe. The novel has long been credited with founding the wider SciFi movement in its earliest days, and it’s this ongoing interest in ‘life from lifelessness’ that has fueled tales both dark and light across the motion picture industry. Why, even the immortal literature classic Frankenstein – from Mary Shelley – couldn’t pass up on the idea of what it takes to both manufacture an all-new breed of mankind while positing exactly what measure of science would be required to give it life. Ever since Science Fiction has been around for the masses-at-large, storytellers have demonstrated an interest in ‘the making of a man.’
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